“In cities you build a language of circumspection and tact, a thousand little intimations, the nuance that has a shimmer of rubbed bronze. Then you go to the wilderness and become undone, lapsing into babble, eating mushroom caps that implode your brain, that make you preternaturally aware and afraid, turn you into an Aztec bird.
Matt Shay sat in a terminal at the airport in Tucson and listened to announcements bouncing off the walls.
He was thinking about his paranoid episode at the bombhead party the night before. He felt he’d glimpsed some horrific system of connections in which you can’t tell the difference between one thing and another, between a soup can and a car bomb, because they are made by the same people in the same way and ultimately refer to the same thing.
There was a garbage strike in New York.
There was a man being paged known only as Jack.
A woman with an accent said to someone seated next to her, ‘I so-call fell in love with him the day he paint my walls.’
There was a man in a wheelchair eating a burrito.”
—don delillo, “underworld”